#Songs with eventide h910 harmonizer portable#
#Songs with eventide h910 harmonizer pro#
#Songs with eventide h910 harmonizer software#

Finck uses the guitar to be able to achieve a plethora of new sounds which made his songwriting unique and fascinating. Robin Finck is a guitar virtuoso most commonly known for his time in the bands Nine Inch Nails and Guns N’ Roses. Performing in groups such as Throbbing Gristle as well as Chris & Cosey, Chris Carter has captivated fans all around the world with industrial sounds giving birth to the genre ‘Industrial Music’. Yes, vocalist Jon Anderson tested the first prototype.Chris Carter is a pioneer in experimental electronic music. Users soon found all sorts of applications, ranging from regenerative arpeggios to bizarre sound design effects to lush guitar or vocal fattening. Early customers included New York City’s Channel 5 putting an H910 to work, downward pitch shifting the audio portion of “I Love Lucy” reruns that were sped up to squeeze in more commercials. Music engineered on the H910 became the soundtrack of the seventies and eighties drawing praise and extensive use from a select group of top artists and producers. Ideal for vocals, guitars, and horns, the Eventide H910 was invented by then-engineer, Tony Agnello.

In 1974, Agnello conceived of a harmony processor but had little idea that he was creating a classic tool for the most successful artists of their generation. Jimmy Page was an early fan, incorporating the H910 into his guitar rack, and, similarly, Frank Zappa employed it heavily as part of his guitar sound. Producer Tony Visconti used the H910 to achieve the now-legendary snare sound on David Bowie’s Young Americans, and Tony Platt did likewise on AC/DC’s Back in Black. Eddie Van Halen and Steve Winwood also used the H910, each owning two of the units and incorporating them into their live and studio set-ups.Download Example 1 3 clips demonstrating the Pitchflex, Crystals and Synthonizer effects, with no adjustments.

#Songs with eventide h910 harmonizer pro#

Fender VG Strat>Vox Tonelab LE>Eventide PitchFactor> Digidesign Pro Tools.ĭownload Example 2 Harmonizing Brian May style: Quadravox effect. #EVENTIDE H910 HARMONIZER STUDIO PRO#īurns Brian May guitar>DigiTech Brian May Red Special pedal>Eventide Pitchfactor>Digidesign Pro Toolsĭownload Example 3 4 mini-clips showcasing the Harpeggiator effect using various presets Burns Brian May guitar>DigiTech Brian May Red Special pedal>Eventide Pitchfactor>Digidesign Pro Toolsĭownload Example 4 MicroPitch effect: 2 mini-clips showcasing the tone-fattening from the MicroPitch effect Carvin CS6M guitar>Marshall Haze 40 amplifier with Eventide Pitchfactor in effects loop>recorded with a Shure SM81 microphone into Digidesign Pro Tools Only one guitar pass was recorded – no overdubbing. I first heard the name Eventide in the ‘80s when guitar heroes like Eddie Van Halen and Steve Vai were using their products to make their tones sound incredible.

Later when I started doing a lot of studio work, I would always see an Eventide in the racks of major recording studios around town.

#Songs with eventide h910 harmonizer portable#

I always thought of them as very high quality pro-audio rack effects, with a price that was out of reach for many musicians.Įventide is now offering three stompbox effects that are portable and affordable: The PitchFactor harmonizer, the TimeFactor twin delay, and the ModFactor modulation effects unit. #EVENTIDE H910 HARMONIZER STUDIO PORTABLE# It’s almost too good to be true-a little stompbox that retains many of the sounds and the high quality found in other high-end Eventide products, but with a price you can afford. The PitchFactor takes ten of Eventide’s signature stereo or mono pitch and delay effects and successfully crams them into a stompbox that you can fit on your pedalboard or in your backpack. It is guitar or bass compatible, features studio quality sound, and has true analog bypass, instant program change and 40 factory presets.

#Songs with eventide h910 harmonizer software#

The PitchFactor has up to four voices of diatonic pitch and 1.5 seconds of stereo delay, a built-in tuner, and the software is also upgradeable via USB 2.0.

#EVENTIDE H910 HARMONIZER STUDIO SOFTWARE# You have real-time control with ten knobs, three metal footswitches and MIDI control via USB or MIDI in, out/thru. The pedal also offers plug-and-play expression pedal control of the wet/dry mix or any combination of parameters. It supports instrument or line level inputs and outputs, with stereo or mono operation.

#EVENTIDE H910 HARMONIZER STUDIO SOFTWARE#.

#EVENTIDE H910 HARMONIZER STUDIO PORTABLE#.